Black and White Film
Numerous sizes of Ilford (glossy, matte and archival) paper using Ilford HP5 Film. All prints are made directly in the Darkroom, using a variety of processes and techniques.
Bed in the Ajuga | 2013 | 11x14
Unfinished Story | 2018 | 9x13
Break in the System | 2016 | 9x13
They see me | 2016 | 9x13 | Rome
Behind the Scenes | 2018 | 8x10
Away! | 2018 | 9x13 | Rome
One with | 2018 | 4x5
Quiet | 2018 | 9x13
The Inside | 2018 | 8x10
Disconnect (original negatives 2013) | 2018 | 13x19
Apart of nature is the waste | 2018 | 4x5
The Great Archeological Dig | 2018 | 8x10
Stanza | 2018 | 8x10
Unseen | 2016 | 8x10
Refill | 2018 | 8x10
Untitled | 2018 | 8x10
Complicating Reality | 2018 | 8x10
A Trevi Scene | re-purposed in 2018 | 8x10
A Gift to Rome | 2016 | 8x10
Shroud | 2018 | 8x10
Untitled | 2013 | 11x14
The Beauty of Discarding | 2015 | 8x10
Truth | 2016 | 8x10 | Rome
Cascade | re-purposed in 2018 | 8x10
When the Surface Goes Deep
When the Surface Goes Deep is an experiment on surface manipulation. In this case, I used sand granules, mere details on a small negative, but almost a fantastical display of motion in the final enlargement.
2018
8x10 Ilford prints
The Space In-between
The Space In-between is a darkroom exploration on revealing what’s already there. In this series, I used images of public crowds that I was not apart of. By pre-maturely removing the prints from their otherwise necessary process and using my hands to directly transfer chemicals, I redefined the way one might understand the imagery.
2017
11x14 Ilford prints